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Steven Aimone has taught workshops for more than a decade on various aspects of painting, drawing, and design in a variety of locations, most notably in Florida, North Carolina, and Maine. All workshops are highly individualized and hands-on, holistic in approach, include interactive critiques, and feature intensive one-on-one coaching and instruction.

 

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WE JUST COMPLETED THE WORKSHOP LISTED BELOW...

Check back here soon for photos from the workshop,

and for dates from next year's Monhegan Island events...

COMPOSITION WITH LANDSCAPE AS REFERENCE
Monhegan Island, Maine

June 15-20, 2008

(Arrive on the island on or before Saturday, June 14; take part in six full working days on the 15th through 20th, depart the island on Satuday, June 21.)

Tuition: $575
Meals, lodging, and transportation are the responsibility of the participant. A $200 deposit holds your place in the workshop, with the balance due by May 15 (at which time the deposit becomes non-refundable). Enrollment is on a first-come, first-served basis.


The Island Inn


View from Black Head bluff 

          


Gull Rock from Burnt Head


 

 

Early evening at the dock

 


Looking from Burnt Head to White Head

Surf near Lobster Cove

2007 artist-participant Kelly Richards

Lichen on the rocky cliffs

   

Join Steven Aimone and a group of working artists for our seventh annual workshop on Monhegan Island. Here, you'll explore a variety of ways that compositions can be abstracted from the landscape. Whenever you work from the landscape you inevitably select, distill, arrange, and alter the visual forces you find at your disposal. This workshop exposes you to a broad range of possibilities and encourages you to explore your own individual approach.

As you take part in a series of guided challenges, you'll learn to:

  • Consider shapes, colors, and textures as animate entities relating to one another
  • Discover ways in which these entities and relationships serve as metaphors for personal, emotional, and transcendent states
  • Consider the dynamics of the design space and how they can be used to strengthen compositions
  • Discover personally satisfying ways of responding to the landscape reference

The workshop begins with an interactive lecture that focuses on a range of landscape designs from across time and cultures. After executing a series of shared challenges that focus on a particular approach or process, you'll enter into individual contracts to execute works in the medium of your choice. Participants work in close proximity at a different location each day with intensive individual consultation from the instructor. Days end with an interactive critique in which participants are encouraged to share discoveries.

Monhegan Island's dramatic landscape provides an inspiring reference. Located ten miles off the Maine coast, the tiny island furnishes an unusual array of visual stimulation. On one side are tall cliffs, the highest on the New England coast. On the other side is a tranquil meadow sloping down to a picturesque harbor area featuring classic New England architecture. In the center are dense pine forests. Seventeen miles of footpaths meander throughout the terrain. There are very few vehicles, no streetlights, and only in the past decade did electricity come to the island. Monhegan has a long and illustrious history as a retreat for artists (it is a mecca for bird watchers as well). The island's landscape has served as subject matter for such luminaries as Rockwell Kent, George Bellows, Robert Henri, Fairfield Porter, and the Wyeths (who still own a home on the island). You won't find a more stimulating place to work!

Here's what a number of past participants have say about their Aimone Art Monhegan Workshop experience:

"I have taken many workshops over the years and have never had an instructor
that came near Steve's overall knowledge of art and design and demonstrated
such humble dedication to the students in his workshop. The workshop enabled me to create satisfying abstractions of the landscape. As a result of Steve's coaching, I was able to identify the underlying structure of the landscape and feel its rhythm. These principles strengthened my compositions and will guide my work f or the coming year."                                                                                                   -- Jean Jackson, West Lafayette, Indiana

"I want to thank you both from the bottom of my heart.  You have set me free in so many ways.  So many things that I knew but could not verbalize, but you did, and things just fit into place.                                                                                     -- Betty Slade, Pagosa Springs, Colorado

"The experience for me, artistically, went beyond any expectations I had going in. By week's end, the ways in which I was seeing things changed...The intimacy of the island and the members of the group was simply liberating!"
-- Holly Keller Bernstein, Virginia Beach, Virginia

"The five-day artists' working retreat on Monhegan Island provides the serious artist striving to find or enhance one's poetic voice with the ideal context for artistic maturation. Monhegan is a tiny island; its village is frozen in time: no fast-food restaurants, no shopping malls, no TV, no phones to speak of. You are happily insulated from the infringements of daily living on your art...totally immersed in art…free for thinking, contemplating, absorbing, experimenting, assimilating, and painting."
-- Daniel Wozniak, Ormond Beach, Florida

"I've never experience a workshop so rewarding and so unique. There wasn't a soul in the group who wasn't excited by the challenges and marveling at the personal growth that Steve gently coaxed out of us.                                                          -- Lenore Barnett, Hendersonville, North Carolina

"I learned that I could respond to the landscape reference, paint landscapes in an abstract manner, and be authentic. I was overwhelmed in a positive way with the shapes that surrounded me – all I had to do was turn my head and there was another painting waiting to be painted. The blank canvas became less intimidating than it had been before."
-- Charlene Thomas, Longwood, Florida

"On Monhegan, its like Mother Nature is in your face. The rocks, the cliffs, the wind, the surf shooting up 20 feet all around you, brings out basic primal urges, fear, awe. It's a rush and the paintings reflect it. Now, when I go outside to paint, I feel less like an observer and more a part of nature."
-- Jim Cassidy, Ormond Beach, Florida

"The workshop can't be described as the best workshop I've taken--it's way beyond that. It's unique in that Steve pushes us in his gentle way to search, through our art, for ourselves."                                                                                            -- Pat Wellborn, Hendersonville, North Carolina

CLICK HERE TO SEE PHOTOS FROM THE RECENTLY COMPLETED 2007 MONHEGAN WORKSHOP

 

 

  

                         

 

 

Already participated? Tell us your thoughts.

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UPCOMING SCHEDULE:

June 15-20, 2008
Pay $575 (payment in full) now

June 15-20, 2008
Pay $200 (deposit) now

June 15-20, 2008
Pay $375 (balance) now

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